Brendon Kearns


Tag: rolleiflex

An Attempt at Color

While I enjoy looking at color work by photographers by like Martin Parr, Paul Graham and even Alec Soth– I still don’t feel that I can really see or fully understand color. It could be a product of all the street shooting in black and white that I’ve been doing for the past couple years- in The Ongoing Moment Geoff Dyer alludes to something like this when he talks about the start of color photography with the scorn heaped on photographers who clearly saw in black and white but attempted color as opposed to later photographers of the 1970’s and 80’s who clearly saw in color from the start.

I feel like i’m still trying to “solve color as a separate problem” instead of intuitively seeing and shooting in it as naturally as I do black and white.

Part of the issue is that I don’t feel like I can trust color to be accurate to what I saw- this may be in large part due a lack of work flow around my scanner (an Epson v700) or a lack of familiarity with film stocks. Each time I scan a color transparency or negative I get at best a darkened version compared to what I see when I hold it up to the light or at worst a washed out negative scan that requires me to turn on the Epson scan software’s color restoration which sets off alarm bells in my head as I assume the Epson software is making automated judgement calls around proper exposure and color levels that I’m too uneducated on to correct for in something like Adobe Lightroom.

Or maybe its that I’m just not interested enough in it to bother learning to start with, as none of this can really be that complicated- when I think of the work I look at for inspiration its almost always my copy of In The Balkans but rarely my copy of American Surfaces.

Or maybe its a comfort thing- I enjoy a lot more than just shooting with black and white, I like to still develop and do my own proofs. If I ever have issues with my scanner, I can always compare the results of my scans against my analog contact sheets to see the difference- if I don’t like the feel or the texture I can change developers or switch up my film stock- to some extent the hands on work allows me to feel like I’m refining a process that’s already set in motion, or possibly gives me the mental illusion that what I am doing is worth my time because it takes time to do.

Short Mix of Street Shots

This shot was one left over from Mardi Gras that I had forgot to include

I found this cardigan hung over a parking block on the way back to my flat so I shot a few frames with the Rollei; I like to take the Rolleiflex out when I’m running errands or otherwise not going out with the sole intent to shoot even though its somewhat heavier and bulkier than my M6- it makes a great camera for shooting when there’s no need to move fast.

Australia Day and More Rolleiflex

I had been trucking out the Rolleiflex on the lead up to the New Year- I took yesterday to get into the darkroom and develop up my first roll of Acros 100


I think something went wrong with my Rolleiflex during this frame- it did some naturally vignetting and when I cut out the frame from the area the scanner covered it didnt appear to be the same size as my others

I’ve been carrying around my Nikanos V on account of all the rain, the following are a mix mostly composed of Australia Day

I had taken a photo of the same dog on a roll of Astia 2 months ago

Up till now I had only been running color film through the Rolleiflex but seeing the results of the Neopan really affirms my preference for black and white

Depending on when I can get into the darkroom next I should have more on the way; I’ve been lax on the shooting on account of work stress- this past Friday was the first day I was able to get out and into a decent flow.

Not making time for the darkroom plays a part too- the longer I go without developing my film and seeing the results the less interested I am in continuing to shoot leading to my having less exposed film to develop and less reason to take an evening or afternoon to stand around measuring out developer and turning a tank upside down for 3 or 4 hours.

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